

ABOUT ME

                              Every project has its own pulse. My job is to find it.
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I’m Eli, a composer and music producer based in Spain. I write for film, television, advertising, and dance, working with directors, producers, and choreographers internationally. I started out as a drummer and percussionist. That shaped how I think about music: as timing, tension, and movement. In a scene or a choreography, rhythm is what carries the audience forward. I studied Music Composition at the Conservatori Superior del Liceu. I then completed a Master’s in Scoring for Film, Television & Video Games at Berklee College of Music.
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My music has been featured on Netflix, Filmin, and RTVE, and in campaigns for Call of Duty, Red Bull, Siemens, and Oysho. Since 2023, I’ve collaborated with Vicente Ortiz on additional music and arrangements for Netflix, Disney + and Spanish television. I’ve also worked as an external composer assistant to Federico Jusid, a BAFTA and Grammy nominated composer. I’m drawn to the exchange of building a sound together. That’s often where the most interesting ideas appear.
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For choreographers, I write music that works with the body, not just behind it. That means being in the room: watching rehearsals, reading the movement, understanding the story behind it. The music grows with the piece. In 2025, I launched Chelono, an electronic project where organic sound meets house and cinematic music. It keeps me exploring textures I bring back into every score.
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Today, I lead my own projects and collaborate on others, in Spain and around the world.
FILMS

TRAILER & actionÂ

DRAMA & SUspense
LISTEN

ADVENTURE

Advertisement & Trailer Music

DANCE
I create music for dance and movement through instinct, observation, and a deep awareness of the body. I begin by watching the dancers in rehearsal — sensing their energy, their relationships, their rhythms, and the atmosphere that emerges in the room.
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For me, the rehearsal space is where something unique happens between people. I listen to these moments and allow the music to respond to them, becoming part of the movement rather than simply accompanying it.
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My compositions bring together the organic character of live instruments with the textures and possibilities of electronic sound. By combining these two worlds, I create music that is both physical and atmospheric, shaped by the human body, the space, and the emotional language of the movement.
Selected works:
HUELLAS by HURyCAN (2025) * AKA by Kateryna Humenyuk y Arthur Bernard-Bazin (2026) * CONTADOR 0 by Berta Contijoch (2024)Â
FAULTLINE by Linnéa Sonka (2026) * UNVOLUTION by Linnéa Sonka (2020)Â




























